The Müuse Atlas / Hong Kong / Kowloon / Hong Kong

Filming in Yau Ma Tei, Hong Kong

Prewar tong lau shopfronts line Shanghai Street, with a fruit market of low brick sheds and the night stalls of Temple Street nearby.

A double decker bus passes under a row of old walk-up tenements and a tall residential tower on Reclamation Street at dusk, a lit sign for a knife and kitchenware shop on the corner.

What Yau Ma Tei looks like

runs through blocks of three to five storey tong lau, their upper floors fronted by cantilevered balconies and roller shutters painted with the names of the shops below. Carved stone gables above some entrances still carry the brand names of prewar traders. Taller residential towers now rise directly behind these shopfronts, so a single corner can hold a narrow prewar facade under a forty storey block.

North along Reclamation Street, the Yau Ma Tei Wholesale Fruit Market occupies one and two storey brick and stone sheds between Waterloo Road and Ferry Street. Covered arcades run under the upper floor balconies, and painted pre-war signboards remain on the outer walls.

's night market opens in the afternoon and is busiest after dark, when cars are barred from the street and more than a hundred stalls set up under strings of bare bulbs between Jordan Road and Kansu Street. A block north, the links five adjoining buildings separated by four narrow lanes.

At Canton Road and Public Square Street, the former stands three storeys over a semicircular portico, its stuccoed walls rusticated and its window arches voussoired in the Edwardian style. It stopped operating as a police station in 2016.

Shot in Yau Ma Tei

Temple Street's own market strip appears on screen in two films named for it. Queen of Temple Street and The God of Cookery used the actual stalls rather than a built set. The Yau Ma Tei Wholesale Fruit Market on Reclamation Street was the real backdrop for the 2018 TVB series Apple-Colada. The former Yau Ma Tei Police Station stands at Canton Road and Public Square Street. Its exterior drew Infernal Affairs, Election and Life Without Principle, since nobody can film inside a station still on duty.

Queen of Temple Street, 1990

Temple Street night market

A queue of people outside a lit restaurant stall on Temple Street at night, menu boards and a red soft drink branded sign on the stall beside it.

Both films used the market strip itself rather than a built set, timed to when the stalls are busiest after dark. Vendors run their stalls from folding tables under strings of bare bulbs, with cars barred from the street while the market runs. Street View

What Yau Ma Tei can double for

George Town, Penang, Malaysia

George Town's shophouses carry the same covered five-foot way arcade along the ground floor as Shanghai Street's balcony arcades, with shuttered upper floors and carved gables from roughly the same decades. Malay and Jawi shop signs would need swapping for Cantonese ones, and trishaws parked along the five-foot way would give the shot away as Malaysia rather than Hong Kong. Try searching five-foot way arcade now.

Kreta Ayer in Singapore

Kreta Ayer's shophouses share Shanghai Street's two to three storey scale and covered five-foot way walkways, with shuttered upper floor windows over ground floor shops. Singapore's shophouses are more uniformly restored and brightly painted, so an unrenovated corner or a block under scaffolding holds the look better than a freshly painted row. Try searching shophouses five-foot way now.

Chinatown in San Francisco, California

San Francisco's Chinatown fills with produce stalls and lit signage after dark, as crowded as Temple Street's own night market. The buildings are a different lineage entirely, pagoda topped cornices and painted masonry rather than tong lau balconies, so only a tight stall level frame avoids the skyline behind it. Try searching night market produce stalls now.

Look

“old Cantonese restaurant interior”

Run the full search with Melp