The Müuse Atlas / United States / New York / New York City

Filming in Ridgewood, Queens

Long rows of pale yellow brick rowhouses from the 1910s, and the corner The Irishman used as South Philadelphia.

A yellow-brick Mathews rowhouse block at Woodward Avenue, matching facades receding the full block.

What Ridgewood looks like

is the main commercial strip, and some of its storefront signs are older than the businesses behind them. The M train runs above at the Wyckoff end, and the blocks in between are mostly two and three family houses.

The rowhouses off date from the 1910s and are a pale yellow brick. Each block repeats a single design to the corner, so the same bay window and the same cornice run its whole length. The facades along these streets are almost unaltered. Stockholm Street between Onderdonk and Woodward still has its original brick roadway.

Farther from those rows the houses are smaller and more varied. on Summerfield Street near Fresh Pond Road sit behind low fences and chain link. Some have porches and small front yards. A few have religious statues set out front.

stands on Catalpa Avenue in the same yellow brick as the houses around it, with a stepped gable over its front. Catalpa runs east from there past the storefronts at Woodward.

Shot in Ridgewood

For The Irishman, the production turned the corner of into 1975 South Philadelphia. The bar and the grocery it built face each other across the same intersection.

The Irishman

Woodward and Catalpa. The production built both sides of the junction and shot them as one Philadelphia block.

The Irishman, 2019

The Friendly Lounge corner

Played The Friendly Lounge, South Philadelphia, Philadelphia, 1975

A Mathews flat corner in two tone yellow and amber brick, a grocery and grill wrapping the ground floor under the cornice. The kind of corner the production dressed rather than the one, which is the Street View beside it.

The bar where Frank meets Skinny Razor was created in an empty corner property at Woodward and Catalpa. The production dressed the storefronts to stand in for Philadelphia's Italian Market, including the signs and goods in the windows. St. Matthias, a block away on Catalpa, is where Frank's daughter is christened. Street View

The Irishman, 2019

Played a corner grocery, South Philadelphia, Philadelphia, 1975

A Deli and Grill wrapping the ground floor corner of a four storey brick building at Madison Street and Fresh Pond Road, fruit out on the sidewalk under the awnings. The kind of corner grocery the production built rather than the one, which is the Street View beside it.

The grocery where Frank crushes a shop owner's hand was built directly across the intersection. The scene plays out on this sidewalk. Both corners are ordinary storefronts again. Street View

What Ridgewood can double for

Bay View in Milwaukee, Wisconsin

The pale yellow brick and worker scale houses make Bay View one of the closer matches for the 1890s through the 1920s. Look around Kinnickinnic Avenue for cream city brick cottages and duplexes. The raised basements and rear alleys are different from Ridgewood, so tighter street level frames work best. Try searching cream city brick cottages now.

Logan Square in Chicago, Illinois

Yellow brick two-flats and projecting bays give the side streets off Milwaukee Avenue a similar scale, and most of them went up between the 1900s and the 1920s. Bucktown next door has the same blocks. Chicago's taller stoops and greystones distinguish it in wider views, as do the rear alleys. Try searching yellow brick two-flats now.

Letchworth, Hertfordshire

Some of the early cottage terraces have a similar scale, built in the early 1900s, the same decade as Ridgewood's rows. The landscaping and generally redder brick make this a looser match, better suited to tighter period frames. Try searching early cottage terraces now.

Look

Before you shoot here

Permits

Permit fee
$500 per consecutive 14 days
Insurance
$1,000,000 general liability per occurrence
Certificate deadline
48 hours before you apply
Film permits in New York City

Incentives

Credit
30% of qualified production costs
Funding
$700 million a year through 2036
Minimum budget, the boroughs
$1 million
The New York film tax credit

“industrial event space”

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