The Müuse Atlas / Spain / Andalusia / Guadix

Filming in Barrio de Cuevas, Guadix

Whitewashed cave house fronts and white chimneys on a tan clay hillside, where the NBC series Emerald City shot Dorothy's stop on the road to Oz.

Whitewashed cave house fronts and white chimneys on a curving asphalt road, with the eroded hill rising behind the roofs.

What Barrio de Cuevas looks like

The arcs around the town of Guadix, and its cave houses cover the slopes in whitewashed fronts. Each front differs from the next, and the houses sit along paths and up the hillside without a fixed plan. White chimneys stand up from the earth roofs, so a wide shot holds a whole hillside of them.

Chapels sit inside the caves too, and the is one of them. The is a cave-house museum listed among the town's visits.

The stands on the high ground above the town. From the barrio lookouts it sits above the white roofs of the cave houses, with chimneys in the foreground.

The roads are asphalt, and TV aerials stand among the chimneys. A blue and yellow tourist road train runs along some streets. It has to be kept out of frame. Tile ledges run along the fronts, and the tan hillside rises behind the rows.

Shot in Barrio de Cuevas

In the NBC series Emerald City, Dorothy stops at the cave houses of Guadix on her way to Oz. The sequence appears from the second episode.

Emerald City, 2017

The cave houses of Guadix

Played the Land of Oz

A street-level row of whitewashed cave fronts with white chimneys, a timber pergola and tiled roofs, with parked cars at the right.

Dorothy stops at the cave houses on her journey to Oz. Tarsem Singh directed the series, which shows the stop from its second episode.

What Barrio de Cuevas can double for

Sacromonte in Granada, Andalusia

Sacromonte's cave houses are dug into a white hillface above the Darro, with wooden doors cut into the rock. Guadix's whitewashed cave houses sit on a tan hillside in the same way, so a camera gets a slope of cave houses from either town. A tighter frame on a doorway or a chimney holds the match better, since wide shots pick up the TV aerials and the asphalt. Try searching whitewashed cave houses hillside now.

Matmata in Tunisia

Matmata's troglodyte cave dwellings are dug down into pits with rooms cut around the edge, and the Hotel Sidi Idriss was used as a filming location in 1976 for the Lars home in Star Wars. A barrio doorway shot can hold that resemblance where a wide view will not. A wide shot of the pit layout or the open desert gives Matmata away at once, so keep the frame close to a doorway or a whitewashed wall. Try searching troglodyte cave dwellings now.

Look

“house for filming”

Run the full search with Melp