The Müuse Atlas / United Kingdom / Greater London / London

Filming in Greenwich, London

Twin domes and a colonnaded courtyard at the Old Royal Naval College have played Buckingham Palace and Napoleonic Paris on screen, below a hill that rises to the Royal Observatory.

The Old Royal Naval College's twin domes and colonnaded wings on the riverfront, seen from across the Thames, the white Queen's House visible in the gap between them and a wooded hill rising behind, boats on the river in front.

What Greenwich looks like

Two matching stone domes rise over a pair of colonnaded wings that face each other across Grand Square, a paved and lawned courtyard running down toward the river. The colonnades themselves are two storeys of pale Portland stone, columns lined up in long straight rows under a plain balustraded roofline. Set back on the far side of the square, between the two domed wings, stands the . It is a plain white building with its own single storey colonnade running off to one side.

Inside the King William building, the 's domed ceiling is covered edge to edge in gilt framed baroque murals rising in tiers above arched windows. Across the square in the opposite wing, the Chapel of St Peter and St Paul has its own smaller dome, topped with a gold ball finial. Inside, a single barrel vaulted nave runs between rows of dark wood pews to a shipwreck scene painted over the altar, a gallery running along both walls above them. The chapel's plasterwork is lighter and plainer than the Painted Hall's gilding, dating from the 1780s rather than the 1700s.

A hill behind the college climbs through to a brick observatory building at the top, the college's own domes and the Canary Wharf towers both visible looking back down. Below the hill, 's masts and rigging rise above a glass dry dock canopy at the river's edge. A short walk from the college gates, runs under a colonnaded stone entrance and a glazed roof.

Shot in Greenwich

Grand Square sits between the college's two domed wings, the paved court redressed for more productions than any other part of the site. The Painted Hall and the Chapel of St Peter and St Paul, one in each wing facing onto it, each carry their own separate credits below.

Les Miserables

Grand Square

Played a Paris barricade street, Paris, France, June 1832

Grand Square seen from beneath one of the college's stone colonnades, its lawn and gravel paths running down toward the river with the Canary Wharf towers visible beyond, storm clouds overhead.

For the barricade sequence in Les Miserables, Grand Square was dressed as a nineteenth century Paris street, with a seven metre elephant statue built on site at one end of the court. The colonnades on either side stood in for the buildings lining a Paris backstreet during the June Rebellion of 1832.

Thor: The Dark World

Grand Square's central path running between the King William and Queen Mary colonnades toward the chapel's domed tower, lawns either side, a lamppost in the foreground and heavy cloud overhead.

Marvel's 2013 Thor sequel staged its climactic battle between Thor and Malekith across Grand Square, with the Painted Hall's interior redressed as a library for the same sequence. The film sets the fight at Greenwich itself, tied to the Royal Observatory's Prime Meridian a short walk up the hill, so this is the real place playing itself rather than standing in for somewhere else.

Napoleon

Played the Chateau de Saint-Cloud, Saint-Cloud, France, 1799

Looking straight up into the Painted Hall's domed ceiling, James Thornhill's baroque murals covering the vault and side walls in gilt frames, arched windows letting in light below.

Napoleon used the Painted Hall as the Chateau de Saint-Cloud, the palace outside Paris where Bonaparte seized power in the coup of 18 Brumaire on 9 November 1799. The production filmed at the college for seventeen days, also dressing the upper square as a Parisian street under cannon fire for a separate scene.

Bridgerton

Played a Mayfair society wedding, Mayfair, London, the Regency era, the 1810s

The Chapel of St Peter and St Paul's pedimented front and colonnade, its grey dome and gold tipped spire rising behind, seen from Grand Square.

Bridgerton used the Chapel of St Peter and St Paul for Penelope and Colin's wedding, one of several scenes the Netflix series has shot at the college across its first three seasons. Grand Square, colour graded in greys and blues, appears again in a funeral scene. That scene is from Queen Charlotte, the Bridgerton spin-off shot at the college between its second and third seasons. Street View

Four Weddings and a Funeral

Played St Mary of the Fields, Cripplegate, London, United Kingdom, 1994

The Chapel of St Peter and St Paul's interior looking down the nave to the altar, rows of dark wood pews either side, a gallery running along both walls and Benjamin West's shipwreck altarpiece framed above the altar.

Four Weddings and a Funeral used the same chapel for its second wedding, between Bernard and Lydia. The same production also used the Painted Hall's own steps and the steps into Queen Mary Court elsewhere on the site.

The Crown

Played the Guards' Chapel, Wellington Barracks, London, United Kingdom, 1973

The Netflix series The Crown used the Chapel of St Peter and St Paul as the Guards' Chapel at Wellington Barracks for Camilla Parker-Bowles' 1973 wedding to Andrew Parker Bowles in the show's third season. A temporary portico fitted onto Queen Anne Court doubled for the entrance to Buckingham Palace in the first two seasons, and College Way stood in for Michael Fagan's 1982 break-in in season four.

What Greenwich can double for

Custom House in Dublin, Ireland

The Custom House on the Liffey has the same pale Portland stone walls as Greenwich's colonnades, and its dome sits over the river the way the college's domes do. It was completed in 1791, close enough to Greenwich's own building dates to pass for the same period on screen. The dome was rebuilt in a visibly darker limestone after a 1921 fire, so keep it out of any shot meant to match Greenwich's pale stone closely. The building is also a single block rather than a courtyard between two wings. Try searching Portland stone dome river now.

Royal Hospital Chelsea in London, United Kingdom

Christopher Wren designed the Royal Hospital Chelsea as the army's own veterans hospital a decade before he took on Greenwich's naval version. Its central block has a Roman Doric portico in Portland stone, with single storey colonnades opening onto Figure Court much the way Grand Square opens between Greenwich's two wings. Chelsea has one modest cupola rather than Greenwich's twin domes, and its courtyard walls are dark brick rather than pale stone throughout. Keep the roofline and the brick out of a shot meant to stand in for Greenwich. Try searching Doric portico Figure Court now.

United States Naval Academy in Annapolis, Maryland

Bancroft Hall's own courtyard at the United States Naval Academy is pale granite rather than Portland stone. Its Beaux-Arts wings date from 1901 to 1906, two centuries after Greenwich's own buildings went up. It still opens onto Tecumseh Court the way Grand Square opens at Greenwich, which suits an early twentieth century naval setting Greenwich's own baroque detailing cannot. The stone colour and the Beaux-Arts detailing read differently up close, so keep the comparison to wide shots of the courtyard rather than close facade work. Try searching Beaux-Arts naval academy courtyard now.

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